‘Hope’ Review: Na Hong-jin’s Overlong Creature Feature is a Guns-Blazing Riot of Bawdy Humor, Bad CGI and Brilliant Action

For a decade, since 2016’s extraordinarily uncanny horror-hybrid “The Wailing,” fans of Korean director Na Hong-jin have been peering anxiously at the horizon awaiting his next uncategorizable genre mash-up. More recently, like a bumbling local police chief removing his mirrored aviators to squint at an unidentifiable what-the-hell-is-that wreaking havoc in the distance, we’ve tracked reports […]