Review: Bad Bunny brought Puerto Rico’s history and culture to a revolutionary Super Bowl show

The sun hung low when Bad Bunny emerged in Puerto Rico’s sugar cane fields during his half time show, surrounded by jibaros in pavas (rural farmers in traditional straw hats), viejitos playing dominos (an affectionate term for older men) and a piragua stand (shaved ice) — undeniable symbols of Puerto Rico.

From a small Caribbean island with a complicated colonial history, to the world: The artist born Benito Antonio Martínez Ocasio brought Puerto Rican culture to the Levi’s Stadium in Santa Clara, California, for his 2026 Super Bowl halftime show in what was always going to be a landmark moment for Latinos.

He started with his huge reggaeton hits, “Tití Me Preguntó” moving into “Yo Perreo Sola,” as he remerged on top of the casita (“little house”) from his Puerto Rican residency — Cardi B was a guest at his pari de marquesina, a house party.

Then he crashed through the roof — Daddy Yankee’s “Gasolina” played for a moment, clearly a celebration of the Puerto Rican artists who laid the path for his Latin trap to go global.

“Mi nombre Antonio Martínez Ocasio,” he introduced himself to the crowd in Spanish. “Y si hoy estoy aquí en el Super Bowl 60, es porque nunca, nunca dejé de creer en mí y tú también deberías de creer en t...